WE HAVE TO TALK

SHE/HER is a film about the balance of power and the deep underlying emotions of a mother-daughter relationship: the uncertainties, manipulation, dependence and ultimately love.

10 minute cross disciplinary dansfilm SHE/HER made by choreographer Cecilia Moisio and director Sonja Wyss and the support of Mediafonds, Fonds voor Podimkunst, NTR, Cinedans.

The leading roles: Lineke Rijxman and Jorijn Vriesendorp. 

Premiere 19 March 2016 during Cinedans Festival in Amsterdam. 

<p><a href=”https://vimeo.com/155369962″>She Her – Teaser</a> from <a href=”https://vimeo.com/sonjawyss”>sonja wyss</a> on <a href=”https://vimeo.com”>Vimeo</a&gt;.</p>

Mum’s The Word, meaning to keep a secret and not to tell anybody, is a performance about mothers and daughters. The complex bond that already starts in the womb, the secrets and the behavior between mother and daughter. In a house full of memories these personal stories are brought to light. Moisio challenges the audience to reflect on the most basic form of love.
Mum’s The Word speaks about taboos like manipulation, jealousy and hidden rivalry. But it also speaks about the intimacy and the emotional inheritance that is passed on from generation to generation and forms a fundamental element of our behavior and our look upon life.

After the successful performances Juxtapose and L.O.V.E. Cecilia Moisio now comes with Mum’s The Word, a full-length dance and theater performance for four generations of female performers.

Cecilia Moisio is artist in residence at the production house Dansmakers Amsterdam. In 2014 she received the Award of the Dutch Dance Festival in Maastricht for upcoming choreographic talent. Mum’s The Word, as part of this prize, will premiere at the Dutch Dance Festival 2015 in Maastricht.

 

      

Premiere 3 October 2015 Nederlandse Dansdagen

Concept, choreography and direction: Cecilia Moisio
Performers: Arnica Elsendoorn, Sylvia Poorta, Soosan Gilson, Katarzyna Sitarz and Yulia Kalinchenko
Video and light design: Mark Thewessen
Set Design: Malin Moisio
Music: Joni Vanhanen
Advice acting: Vincent Wijlhuizen
Artistic advice: Suzy Blok
Technique: Marcel Slagter
Production/tour management: Hit Me Productions​
Publicity: Lisa Reinheimer, Lisette Brouwer
Coach Singing: Ineke van Doorn
Costumes: Margot Koudstaal a.o.
Photography: Jamain Brigitha – Associatives & Jochem Jurgens

 

Supported by De Nederlandse Dansdagen, Fonds Podiumkunsten, Amsterdams Fonds voor de Kunsten, Prins Bernhard Cultuurfonds, Stimuleringsfonds Creatieve Industrie, BNG Bank

 

Sleazy, hard and dirty. This summer Marcus Azzini and Toneelgroep Oostpool will make a big performance for the Parade festival and it’s 25^th jubilee. Partymonster combines theatre, dance, music and performance to give an ode to the night and the perfect high. The piece is based on the infamous Club Kid, Michael Alig who was a provocative figure in the New York party scene of the 90’s. He crated extravagant parties with endless freedom for self-expression that broke all the rules. In the night nothing is impossible until he pushes himself to the limits and murders one of his co- Club Kids. Patymonster will tour four cities during the Parade festival: Rotterdam, Den Haag, Utrecht and Amsterdam

Premiere: 18 June 2015 at Parade Rotterdam

Director: Marcus Azzini

Choreography: Cecilia Moisio

Music: Joost van Bellen

Text: Hannah van Wieringen

Actor: Nik van den Berg

Performance: Dennis Vanderbroeck/Bas Kosters Studio, Anton van der Sluis, Joep Hendrikx

Dance: Luca Cacitti, Johannes Lindh, Lorenzo Capiodeci and Pedro Alves

Photo’s: Sanne Peper

 

 

    

 

Y.E.S.

Y.E.S. is a movement and voice performance that dives into one of our most basic psychological needs: to feel happiness. An emotional rollercoaster through boundless euphoria and our quest to make the positive feelings in our lives last. What do we find when these emotions are magnified and held on to for too long? Does real joy exist without its counterpart, sadness? Y.E.S. is based on a part of Cecilia’s latest evening length piece L.O.V.E. and adapted to the 2^nd year students of Modern Theatre Dance of the Theater school of Amsterdam.

Premiere: 10 June 2015

Choreography and Direction: Cecilia Moisio

Music: Joni Vanhanen & Geert Oddens

Assistants: Karin Frankel & Erin Harty

Rehearsal director: John Taylor

Photo’s: Nellie de Boer

 

 

THIS IS THE END

As a part of ‘Jubel’ – the 25th jubilee performance by Danstheater AYA, Cecilia Moisio, Alida Dors and Giulio D’Anna react on the older works of Wies Bloemen. Cecilia chose Eindtijd (2000) and made her own intake on the subject of death and how this is still a taboo within our society. Repeated ways of dying, an analytical approach to the decay of the body and the intense emotional mourning of another where the theme’s that Cecilia used to make this work. 

 

Premiere: 4 June 2015

Choreography and Direction: Cecilia Moisio

Performers: Regilio Sedoc and Gwen Langenberg

Music: Joni Vanhanen, Mark Lanegan Band, Jelly Roll Morton, Willem Breuker Kollektief

Light: Erik van Raalte

Photo’s: Ben van Duin

 

 

       

       

 

 

 

Explosieve danstaal tijdens Jubel van Danstheater AYA

Resa Oomen- Dans Magazine

In het kader van het 25-jarig jubileum van Danstheater AYA heeft Wies Bloemen drie jonge choreografen gevraagd een dialoog aan te gaan met werk uit het rijke oeuvre van 25 jaar AYA. Deze dansvoorstelling Jubel ging 5 juni in première bij Dansmakers aan het IJ in Amsterdam. Elke choreografie begint met een mondelinge dialoog op het scherm tussen Wies Bloemen en de choreografen. Cecilia Moisio presenteert This is the end, haar interpretatie op Eindtijd (2000). Giulio D’Anna laat zijn interpretatie op Harnas (2013) zien, Har(t)nas, en Alida Dors maakt Bronsttijd (1996) eigen door haar gelijknamige bewerking Bronsttijd. Alle drie zijn ze explosief en met veel humor gebracht.

Cecilia Moisio schudt haar publiek wakker met This is the end

Cecilia Moisio wordt in de dialoog met Wies Bloemen benoemd als een choreografe die het publiek wakker schudt en ongemak bezorgt. Zelf vertelt Moisio dat ze heel theatraal werkt. Ze vergroot emoties uit en laat de dansers snel schakelen om het publiek wakker te schudden. Ze werkt multidisciplinair en combineert haar sterke dansvakmanschap met stemgebruik en acteren. Typerend voor haar dansvoorstellingen is het dynamische karakter met enerzijds de rauwe emoties en anderzijds een strakke, beheerste choreografie.

 

Ik ben wakker geschud door This is the end. Zittend op het puntje van mijn stoel heb ik de dansers een achtbaan aan verschillende manieren van sterven zien beleven. In het begin is het luchtig en worden de doodsoorzaken benoemd door de dansers en direct getoond. Duizeligheid, hartaanval, slangenbeet, kwelling en flauwte zijn oorzaken die zoal worden genoemd en herhaald gedurende de dansvoorstelling. Kerkklokken op de achtergrond maken het soms zwaar. Jaren 20-muziek maakt het weer licht en lachwekkend. Dit terwijl de heftige manieren van sterven steeds worden herhaald.

 

De grote schakels in This is the end waar Cecilia Moisio zo om bekend staat zitten vooral in het immense verdriet van de rouwende die heel snel overgaat naar een lach omdat het leven verder gaat. Het constant herhalen van de verschillende manieren van sterven zorgt dat ik niet om de dood heen kan. Gek genoeg geeft deze dansvoorstelling me, misschien juist daardoor, veel energie. Respect voor de dansers Gwen Langenberg en Regilio Sedoc die een uitputtingsslag leverden door zeer geloofwaardig steeds opnieuw te sterven.

 

Het jubelt van binnen dankzij Jubel van Danstheater AYA

Dansvoorstelling Jubel van Danstheater AYA bestaat uit drie totaal verschillende choreografieën waar ik veel energie van heb gekregen. Confronterend, wakker schuddend en ontroerend. Alle drie met veel verve en energie gemaakt in een explosieve danstaal die blijft hangen. Danstheater AYA kan een prachtige nieuwe productie toevoegen aan een al indrukwekkende lijst. Met Jubel kan het 25-jarig jubileum van Danstheater AYA jubelend gevierd worden.

In L.O.V.E., the new full-feature dance and theater performance by Cecilia Moisio, the main theme is the boundless, euphoric feeling of happiness and love. Cecilia shows us not only how we can lose ourselves in the quest for love, but also to what extent expectations of society and the media affect our love behavior. The viewer is confronted with the questions: do we believe in pure love or do we confuse our love behavior with what we see and hear around us? What does real happiness look like? Has romance become a substitute for love? Can clichés about love and happiness also lead to the actual experience of these feelings?

In L.O.V.E. four performers express their feelings of love and happiness. They try to find their own identity in love by looking for connections with each other and the audience. The popular ‘love song’ plays a central role in L.O.V.E.. Lyrics and vocals are decomposed, repeated and modified by the performers in order to find new meanings.
L.O.V.E. is introvert and vulnerable, as well as confrontational. The feeling of happiness is magnified and glorified, but does too much euphoria and ecstasy eventually lead to its own downfall?

Premiere 9 October 2014

Concept, choreography and direction Cecilia Moisio

Performers Erin Harty/Karin Frankel, Jorijn Vriesendorp, Shay Partush, Lorenzo Capodieci

Trainees short version Lili Kok, Amy Pender, Serano Pinas, Marnix Lenselink

Actingadvice Vincent Wijlhuizen

Artistic advice Suzy Blok, Krisztina de Châtel

Voice coaching Ineke van Doorn

Music Joni Vanhanen

Costumes Samuji, Delikatessen

Light design Vinny Jones

Technique Marcel Slagter

Production Mette Stam and Hit Me Productions 

Photo’s Jamain Brigitha – Associatives and Sigel Eschkol

Co-producers Dansgroep Amsterdam, ITs Festival

Thanks to: Dansgroep Amsterdam, Stichting Imperium, ITs Festival, Ministerie van Onderwijs, Cultuur en Wetenschap, Fonds Podiumkunsten, Amsterdams Fonds voor de Kunsten and the Prins Bernhard Cultuurfonds

   

 

Cecilia made 2 by 2 as a part of Distinguished Dreams project of FASHIONCLASH and Nederlandse Dansdagen. She collaborated with designer Sara Vrugt and she worked with dancers from ArtEZ Vooropleiding Dans Venlo. 

‘We imagine how we must appear to others. We imagine the judgment of that appearance. We develop our self through the judgments of others.’

How doe we mimic the images we see around ourselves on a daily basis? How does this mirroring behavior change our perception of self? Two couples are literally bound to each other, mirroring each other in movement and expression. Wanting to escape but not being able to.  

Music by: Jonne Kuusisto

Photo’s: Team Peter Stigter 

   

“Dit jaar stond naast mode ook dans centraal tijdens het festival. Zaterdag begon de dag met “Distinguished Dreams”. Vijf korte stukken werden gedanst door studenten van Opleiding Dans Maastricht en ArtEZ Vooropleiding Dans Venlo. Deze samenwerking tussen Fashionclash en de Nederlandse Dansdagen was zo tof, niet normaal. Ik heb met open mond gekeken naar ieder zijn optreden. Wat Clean zo mooi vond was dat in ieder stuk kleding, of in elk geval stof, centraal stond. Ik heb het meest genoten van “2 by 2″.” 

– Cleanmag.com

http://www.nederlandsedansdagen.nl

http://fashionclash.nl

Cecilia created the five hour durational piece Facets for the MSU Zagreb, Croatia in June 2014 as a part of Performing Gender and in collaboration with Domino/Queer Zagreb.

“A woman delves into different characters of her persona in one contained space. She shows us images of who she would like to be and the sides she keeps hidden. A magnified look into the associative thought process of a woman and the stereotypes she lives by.” 

Photo’s: Darko Vaupotic

Performing Gender is a European dance project making use of artistic and cultural tools to open up a civil reflection on gender and sexual orientation differences, seen as sources of values and richness for the whole European society.

Performing Gender wants to build a European laboratory in which dominant codes and mainstream images in relation to gender and sexual preferences are questioned and reflected upon, bringing this into the wider community through the universal language of the arts, to develop new images and to collect new insights together. The starting point of this journey is the body of the artist, seen as the ideal cultural medium to research and to portray new identities.

Performing Gender invites an international group of choreographers, dancers and visual artists to share a two year voyage of research and training based in different European cities: workshops, residencies and performances will investigate the representations of sexuality and gender, challenging the artists’ identities and calling into question stereotypes and bias.

At the end of this journey, the artists will be asked to produce works to be staged in established and renowned European museums. These museums will open their institutions and integrate these new works of art and identities as part of their collections.

This research process will be as open as possible: the artists will attend public exchanges with the local communities in the partner cities and the audience of the performances will be asked to react, to give feedback and to challenge the dominant views related to sexual roles and gender identities. Audiovisual outputs from all the workshops will tour among the partner cities to disseminate the European dimension of the project, and a final international symposium will evaluate its outcomes.

Partners:

Domino / Queer Zagreb (Zagreb, Croatia)

Paso a 2 (Madrid, Spain)

Dutch Dance Festival (Maastricht, The Netherlands)

Cassero / Gender Bender Festival (Bologna, Italy)

Other artists in Zagreb:

Poliana Lima (Spain/Brazil)

Jan Martens (NL/Belgium)

Sinisa Labrovic (Croatia)

http://www.performinggender.eu

  

A movement-monologue for a woman on the brink of a decision: the ending of a relationship and all the reasons for it. She explains herself, accuses, pulls back, lies and releases. A solo where text and movement come together to give a comment on our behaviour in love and how we can lie to ourselves just to find a way out. An ode to the confrontation of our fear of commitment.

Premiere 1.5.2013

Concept, choreography and performance: Cecilia Moisio

Sound and text: Cecilia Moisio

Costume: Samuji

Technique: Marcel Slagter

Photography: Jamain Brigitha – Associatives and Sigel Eschkol

Video: Beldan Sezen

Thanks to: Krisztina de Châtel, Jonne Kuusisto, Kiyan Khoshoie and Café Restaurant Stanislavski

This solo is produced by Stichting de Châtel sur Place- Krisztina de Châtel and funded by St. Imperium.

 

 

 

 

Two women caught up in a loop of striving to be perfect verses being themselves. They are seductive, funny and provoking with a hint of sarcasm. As a team they confront the outside observer, wanting to connect and to be understood. But can they keep up with the image they have created for themselves? Juxtapose is a performance that combines text and movement to give a comment on our society, where the woman has to manoeuvre between being intensely feminine but also assertive and masculine at the same time. Balancing the duality of our inner emotions and how we portray ourselves according to outside expectations. Juxtapose is a comment on our need to mirror ourselves to others and to be understood and accepted, just the way we are.

“As a choreographer Cecilia Moisio is inimitable and in her own class… Juxtapose is simply a high quality performance and it’s performers strikingly talented.”

 Keskisuomalainen (FI)**** – Maija-Liisa Westman

“The duo makes sharp switches from sugary performance to harsh falling.”

“… Moisio is surely someone to keep an eye on: she mixes hard performance with physical feat and sarcastic self-deprecation.”

 De Volkskrant (NL)**** – Annette Embrechts


“Cecilia Moisio and Erin Harty give new life to girl-power. The two performers are perfect for each other qua presence, physicality, personality and expressiveness.”

 8Weekly (NL)**** – André Arends


“The sarcasm that Moisio approaches her themes with is strongly felt in the performance. The irony of the situations, temptation against the abomination and the dynamics that the performers switch from one extreme to another transmit this intense and strong message.”

Cultuurbewust (NL)**** – Claire Philips


 

 

13.02.2013 première Melkweg Theater,Amsterdam

Direction, choreography and text: Cecilia Moisio
Performers: Erin Harty/Katarzyna Sitarz, Cecilia Moisio
Music: Joni Vanhanen
Acting advice: Vincent Wijlhuizen
Artistic advice: Suzy Blok
Repetitors: Reut Gez and Marina Peuranen
Costumes: Ilse Evers
Light design: Roland van Ulden
Technique: Marcel Slagter
Production: Hit Me Productions
Photos: Jamain Brigitha – Associatives and Sigel Eschkol
Registration: Beldan Sezen
Produced by: Dansmakers Amsterdam
Funded by Amsterdam Fund for the Arts, Dansmakers Amsterdam
Thanks to Ahrend

Tour list 

2013

12.2.2013 Try-Out, Melkweg Theater, Amsterdam, Netherlands

13.2.2013 Premiere, Melkweg Theater, Amsterdam, Netherlands

14.2.2013 Melkweg Theater, Amsterdam, Netherlands

2.3.2013 Grand Theater, Groningen, Netherlands

28.7.2013 De Parade, Utrecht (x2), Netherlands

29.7.2013 De Parade, Utrecht (x2), Netherlands

30.7.2013 De Parade, Utrecht (x2), Netherlands

2.8.2013 Vondelpark, Amsterdam, Netherlands

13.8.2013 De Parade, Amsterdam (x2), Netherlands

14.8.2013 De Parade, Amsterdam (x2), Netherlands

15.8.2013 De Parade, Amsterdam (x2), Netherlands

16.8.2013 De Parade, Amsterdam (x2), Netherlands

17.8.2013 De Parade, Amsterdam (x2), Netherlands

28.9.2013 Tanssin Aika- festival, City Theatre of Jyväskylä, Finland

4.10.2013 Moving Meetings, Maastricht, Netherlands

10.10.2013 PUNCH! Festival, Amsterdam, Netherlands

12.10.2013 Diskurs Festival, Giessen, Germany

18.10.2013 Rotterdamse Schouwburg, Netherlands

3.11.2013 BAD Festival, Bilbao, Spain

 

2014

5.3.2014 De Lawei, Drachten, Netherlands

13.3.2014 Corrosia!, Almere, Netherlands

2.4.2014 De Kikker, Utrecht, Netherlands

4.4.2014 Schouwburg Arnhem, Netherlands

12.4.2014 Les Reparages, Lille, France

27.8.2014 Tanzmesse, Düsseldorf, Germany

2015

15-17.1.2015 JoJo, Oulu, Finland

10.10.2015 Aura 25 Festival, Kaunas, Lithuania

13.11.2015 Theater Bellevue, Amsterdam, Netherlands

25.11.2015 NWE Vorst, Tilburg, Netherlands

2016

14-17.1.2016 Live Art Dance, Halifax, Canada

21-24.1.2016 Tangente, Montreal, Canada

8.3.2016 Neimester, Luxembourg

15.3.2016 Theater Veste, Delft, Netherlands

 

 

 

  

Hi! My Name Is… is a performance about lies, group behaviour and social norms. The inspiration for this piece was the need for us as human beings to belong to a group where we can be ‘ourselves’ and be accepted. How far can you go to find love and to dull your solitude? Society and new technologies put pressure on your private life to make it public. You are forced to search for social contact in the most peculiar ways. In Hi! My Name Is… two dancers and three musicians of the Finnish group Urbaanilegenda confront their desire to connect and expose themselves via text, spoken word, rap and movement.

‘Moisio’s performance is electrifying…’

Jussi Tossavainen, Helsingin Sanomat 28.9.2010 

‘I have never experienced such chaos where every single detail is thought out so carefully…. The performance totally blew me away.’  

Maija-Liisa Westman, Liikekieli.com 5.10.2010

‘Moisio transmitted her typical, vibrant energy to the other performers.’

Francine van der Wiel, NRC Handelsblad 16.11.2010

‘A big part of the performance is about lying, about pretending you are something that you are not.’

Bregtje Schudel, Parool 11.11.2010

 

 

 

Premiere 25 September 2010

Concept and Choreography: Cecilia Moisio

Performers: Erin Harty, Cecilia Moisio and Urbaanilegenda: Jonne Kuusisto, Ossi Valpio and Joni Vanhanen

Texts: Cecilia Moisio, Allan & Barbara Pease and Urbaanilegenda: Jonne Kuusisto, Ossi Valpio and Joni Vanhanen

Music: Joni Vanhanen

Advisor Acting: Vincent Wijlhuizen

Artistic Advice: Suzy Blok

Production: Maaike Res

Light design and technique: Wijnand Moeken

Video: performers and Roland van Ulden

Photography: Matti Häyrynen and Jamain Brigitha

Registration: Beldan Sezen

Duration: 50 minutes

 

Hi! My Name Is… is chosen as one of the Aerowaves priority companies in 2011. 

Hi! My Name Is… is also chosen for the Blinddate tour in the Netherlands in April 2011.

This performance is made possible by Amsterdam Fund for the Art, Dansmakers Amsterdam, Finnish Cultural Institute for the Benelux, Imperium Foundation, SNS Reaal Fund, VSB Fund and WArd/waRD NL/BE.

Tout List

2010

25.09.2010 Finnish Premiere at Tanssin Aika- festival: City Theatre of Jyväskylä

12.11.2010 Dutch Premiere: Melkweg Theater, Amsterdam

13.11.2010 Melkweg Theater, Amsterdam

2011

25.03.2011 Ljublijana, Slovenia, Spring Forward festival

06.04.2011 Arnhem, The Netherlands

08.04.2011 Roosendaal, The Netherlands

11.04.2011 Utrecht, The Netherlands

13.04.2011 Zoetermeer, The Netherlands

14.04.2011 Amersfoort, The Netherlands

15.04.2011 Dordrecht, The Netherlands

18.04.2011 den Haag, The Netherlands

19.04.2011 Groningen, The Netherlands

20.04.2011 Sittard, The Netherlands

21.04.2011 Leeuwarden, The Netherlands

25.04.2011 Amsterdam, The Netherlands

26.04.2011 Alkmaar, The Netherlands

27.04.2011 Leiden, The Netherlands

28.04.2011 Almere, The Netherlands

01.07.2011 Amsterdam, The Netherlands, Julidans- festival

04.08.2011 Helsinki, Finland, URB-festival

05.08.2011 Helsinki, Finland, URB-festival

27.08.2011 Amsterdam, The Netherlands, Uit Markt

2012

 19.04.2012 WArd/waRD evening, Antwerp, Belgium

20.04.2012 Podium Mozaique, Rotterdam, The Netherlands